John Giorno USA, 1936-2019

Overview
"In the early 1960s, I had the good fortune of meeting a lot of artists. Andy Warhol, Jasper Johns, Robert Rauschenberg, John Cage, Trisha Brown and Carolee Schneeman. These artists and painters were the real influence on me, as a poet. Whether it was a performance or a painting, they did what arose in their minds, and made it happen. It occurred to me that poetry was seventy five years behind painting and sculpture and dance and music. I said to myself, if these artists can do it, why can’t I do it for poetry?"
American poet and performance artist, John Giorno (1936-2019) is considered a leading figure of the Beat Generation, a group of American post-World War II writers who came to prominence in the 1950s through the cultural phenomena that they both documented and inspired. Born in New York in 1936, Giorno graduated from Columbia University in 1958. He briefly worked as a stockbroker in New York before meeting Andy Warhol in 1962. The pair became lovers and Warhol remained an important influence for Giorno’s developments on poetry, performance and recordings.
Further inspired by subsequent relationships with Jasper Johns and Robert Rauschenberg, Giorno began applying Pop Art techniques of appropriation of found imagery to his poetry, producing The American Book of the Dead in 1964. That same year, he began applying cut up and montage techniques to found texts. His first audio poem piece of this sort was played at the Paris Museum of Modern Art Biennale in 1965. He founded the not-for-profit production company, Giorno Poetry Systems, and organized a number of multimedia poetry experiments and events, including Dial-A-Poem. In 1970, his Dial-A-Poem installation at the Museum of Modern Art, New York, connected words and images to confront audiences with poetry in different contexts.
The work of John Giorno embraces two disciplines: poetry and art, which have been a source of mutual fascination and inspiration for the artist. Harboring a close kinship with William Burroughs, Robert Rauschenberg, and Andy Warhol, for whom he starred in the famous film, Sleep (1963), Giorno is recognized today as one of the most influential poets of his generation. He is also considered the inventor of Performance Poetry, and of Dial-A-Poem - a free telephone line to connect listeners to recordings of original works of poetry. Giorno's words transform to images in his Poem Paintings which are short excerpts from his writings, phrases that have continually haunted him. At the crossroads between poetry, visual arts, music and performance, Giorno's work directs itself toward a broad public, redefining the capabilities of poetry  and linguistic form.
 
In 2008, the first career-spanning collection of Giorno’s poems, Subduing Demons in America: Selected Poems 1962-2007, was published. His first solo show, Black Paintings and Drawings, was held at Nicole Klagsbrun Gallery in New York in 2012. Giorno was an AIDS activist and fundraiser, and a long-time practitioner of the Nyingma tradition of Tibetan Buddhism.
 
 
Works
  • John Giorno, EATING IN THE SKY, 2015
    John Giorno
    EATING IN THE SKY, 2015
    Acrylic on canvas
    121.9 x 121.9 cm
  • John Giorno, PREFER CRYING IN A LIMO TO LAUGHING ON A BUS, 2015
    John Giorno
    PREFER CRYING IN A LIMO TO LAUGHING ON A BUS, 2015
    acrylic on canvas
    100.97 x 100.97 cm
  • John Giorno, WE GAVE A PARTY FOR THE GODS AND THE GODS ALL CAME, 2017
    John Giorno
    WE GAVE A PARTY FOR THE GODS AND THE GODS ALL CAME, 2017
    acrylic paint on canvas
    100.9 x 100.9 cm
  • John Giorno, NOTHING RECEDES LIKE SUCCESS, 1989
    John Giorno
    NOTHING RECEDES LIKE SUCCESS, 1989
    Silkscreen on vinyl
    121,9 x 121,9 cm - Ed. 4/8
  • John Giorno, ALMOST MISS AMERICA ROSE, 2017-2023
    John Giorno
    ALMOST MISS AMERICA ROSE, 2017-2023
    Acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, NASTURTIUMS FLAUNT TRUMPETS OF FIRE TEASINGLY DEMONIC, 2017-2023
    John Giorno
    NASTURTIUMS FLAUNT TRUMPETS OF FIRE TEASINGLY DEMONIC, 2017-2023
    Acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, THE WORLD JUST MAKES ME LAUGH, 2015
    John Giorno
    THE WORLD JUST MAKES ME LAUGH, 2015
    Acrylic on canvas
    121.9 x 121.9 cm
  • John Giorno, CLIMATIS CLINGING CELESTIAL DEVOTED, 2017-2023
    John Giorno
    CLIMATIS CLINGING CELESTIAL DEVOTED, 2017-2023
    acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, DAFFODILS BAPTIZED IN BUTTER, 2017-2023
    John Giorno
    DAFFODILS BAPTIZED IN BUTTER, 2017-2023
    Acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, I DON'T NEED IT I DON'T WANT IT AND YOU CHEATED ME OUT OF IT, 1989
    John Giorno
    I DON'T NEED IT I DON'T WANT IT AND YOU CHEATED ME OUT OF IT, 1989
    silkscreen on vinyl
    121,9 x 121,9 cm - Ed. 5/8
  • John Giorno, I WANT TO CUM IN YOUR HEART, 2015
    John Giorno
    I WANT TO CUM IN YOUR HEART, 2015
    acrylic on canvas
    100.97 x 100.97 cm
  • John Giorno, LIVING IN YOUR EYES, 2015
    John Giorno
    LIVING IN YOUR EYES, 2015
    Acrylic on canvas
    121.9 x 121.9 cm
  • John Giorno, HONEYSUCKLE EATING THE SMELL, 2017
    John Giorno
    HONEYSUCKLE EATING THE SMELL, 2017
    acrylic on canvas
    101.6 x 101.6 cm - signed on the back "John Giorno '17"
  • John Giorno, GOD IS MAN MADE, 2015
    John Giorno
    GOD IS MAN MADE, 2015
    acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, YOU GOT TO BURN TO SHINE, 2015
    John Giorno
    YOU GOT TO BURN TO SHINE, 2015
    acrylic paint on canvas
    100.9 x 100.9 cm
  • John Giorno, CHRYSANTHEMUMS ARE A GARLAND OF SKULLS, 2017-2023
    John Giorno
    CHRYSANTHEMUMS ARE A GARLAND OF SKULLS, 2017-2023
    acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, CARNATIONS GLORIOUSLY SELF-SERVING, 2017-2023
    John Giorno
    CARNATIONS GLORIOUSLY SELF-SERVING, 2017-2023
    acrylic on canvas
    101.6 x 101.6 cm
  • John Giorno, LIFE IS A KILLER, 1989
    John Giorno
    LIFE IS A KILLER, 1989
    silkscreen on vinyl
    121,9 x 121,9 cm - Ed. 3/8
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