Klaus Rinke GER, b. 1939

Overview
"I have chosen the body— the gesture of the body— as a dematerialized and most intelligible medium  to create "an ABC of seeing, experiencing and action and with this of human being in general."

Klaus Rinke (born 1939) is widely recognized as a co-founder of the Düsseldorf School, alongside luminaries like Sigmar Polke, Gerhard Richter, Blinky Palermo, and Günther Uecker. His artistic journey has been enriched by collaborations with prominent figures such as Joseph Beuys and Bernd and Hilla Becher, whose influence is deeply embedded in his work.

Since the 1960s, Rinke has been a dynamic force on the international art scene, aligning himself with radical artistic movements like Body Art, Land Art, and Conceptual Art, while never confining himself to the boundaries of a single genre. A versatile artist, Rinke's creative practice extends beyond the realms of drawing and painting, encompassing a rich body of sculptural and photographic works. Particularly noteworthy are his performances initiated in the 1960s, where the artist himself took center stage, emphasizing the relationship between the human body, time, and space. These performances often incorporated diverse elements like water, nature, or scientific measuring materials like lead, to explore concepts of balance and instability.

 

Klaus Rinke exhibited in two Documenta exhibitions in Kassel and two Venice Biennales. His solo exhibitions have graced the walls of some of the world's most prestigious museums, including the MoMA in New York, the Centre Pompidou in Paris, the Tate Modern in London, the CCCOD in Tours, the Museum Küppersmühle in Duisburg, and the Haubrok Foundation in Berlin.

Rinke's artworks are housed in numerous public and private collections, and he has been bestowed with accolades for his contributions to contemporary art. These honors include recognition from the National Gallery of Art in Washington, the Museum of Fine Arts in Houston, the Brooklyn Museum of Art, Deutsche Bank in Düsseldorf, the Nationalgalerie in Berlin, the R.M.I.T. Gallery in Melbourne, the F.R.A.C. Champagne Ardennes in Reims, the Stedelijk Museum in Amsterdam, the National Gallery in Canberra, the Modern Museum in Vienna, the Castello di Rivoli in Turin, the MoMA in New York, the Tate Modern Museum in London, the Musée d'Art Moderne de la Ville de Paris, the Centre George Pompidou in Paris, and many more.

Currently, Klaus Rinke lives and works in Linz, Austria, and Los Angeles, USA.

 
 
Works
  • Klaus Rinke, Wand Boden, 1969-1970
    Klaus Rinke
    Wand Boden, 1969-1970
    Gelatin on silver print, A.P.
    2 photographs 100 x 70 cm each, overall 100 x 140 cm
  • Klaus Rinke, Wand Boden Ruam, Boden, 1969-1970
    Klaus Rinke
    Wand Boden Ruam, Boden, 1969-1970
    Gelatin on silver print, A.P.
    3 photographs 95.5 x 68.5 cm each, overall 95.5 x 205.5 cm
  • Klaus Rinke, Mutation, 1970
    Klaus Rinke
    Mutation, 1970
    Gelatin on silver print, A.P.
    59 x 42 cm
  • Klaus Rinke, Halte dein Arm hoch so lange du kannst! (Hold your arm up as long as you can), 1970
    Klaus Rinke
    Halte dein Arm hoch so lange du kannst! (Hold your arm up as long as you can), 1970
    Gelatin on silver print, A.P.
    59 x 42 cm
  • Klaus Rinke, Wasser aus dem Museum schutten - Tokyo, Japan, 1970
    Klaus Rinke
    Wasser aus dem Museum schutten - Tokyo, Japan, 1970
    Gelatin on silver print, A.P.
    2 photographs 42 x 59 cm each
  • Klaus Rinke, Hineingehen und herauskommen - Rentrer Sortir Biennale Tokyo, Japan, 1970
    Klaus Rinke
    Hineingehen und herauskommen - Rentrer Sortir Biennale Tokyo, Japan, 1970
    Gelatin on silver print, A.P. (ed. of 3)
    140 x 100 cm
  • Klaus Rinke, Eigentlich sollte ich Wothan heissen, Stellungnahme zu Vergangenheit, 1970
    Klaus Rinke
    Eigentlich sollte ich Wothan heissen, Stellungnahme zu Vergangenheit, 1970
    Gelatin on silver print, A.P.
    59 x 42 cm
  • Klaus Rinke, 200 Liter H2O Wasser werden angestossen made for Gerry Schum, 1971
    Klaus Rinke
    200 Liter H2O Wasser werden angestossen made for Gerry Schum, 1971
    Gelatin on silver print, A.P.
    8 photographs 30 x 40 cm each, 120 x 80 cm
  • Klaus Rinke, Der Wasserträger, 1971
    Klaus Rinke
    Der Wasserträger, 1971
    Gelatin on silver print, A.P.
    200 x 140 cm
  • Klaus Rinke, Sich von der Schwerkraft befreien, Arnheim Holland, 1971
    Klaus Rinke
    Sich von der Schwerkraft befreien, Arnheim Holland, 1971
    Gelatin on silver print, A.P.
    140.5 x 100 cm
  • Klaus Rinke, Dreimal durch die Ecke New York - Die Ecke, leer, New York, 1972
    Klaus Rinke
    Dreimal durch die Ecke New York - Die Ecke, leer, New York, 1972
    Gelatin on silver print, A.P.
    2 photographs; 101 x 140 cm, 101 x 268 cm, overall 101 x 408 cm
  • Klaus Rinke, 5 Augenblicke, 1972
    Klaus Rinke
    5 Augenblicke, 1972
    Gelatin on silver print, A.P.
    5 photographs 60.5 x 43.5 cm each, overall 60.5 x 217.5 cm
  • Klaus Rinke, San Francisco - Pazific, 1972
    Klaus Rinke
    San Francisco - Pazific, 1972
    Gelatin on silver print, A.P.
    5 photographs 30 x 40 cm each
  • Klaus Rinke, Rheinknie, Düsseldorf , 1975
    Klaus Rinke
    Rheinknie, Düsseldorf , 1975
    Gelatin on silver print, A.P.
    100.5 x 141 cm
  • Klaus Rinke, Wasser um mich herum – Neueröffnung Alfred Schmela Gallery, 1975
    Klaus Rinke
    Wasser um mich herum – Neueröffnung Alfred Schmela Gallery, 1975
    Gelatin on silver print, A.P.
    68.5 x 100 cm
  • Klaus Rinke, Von 0 to 10 oder von der Agression zur totalen Offenheit, 1971
    Klaus Rinke
    Von 0 to 10 oder von der Agression zur totalen Offenheit, 1971
    Gelatin on silver print, A.P.
    24 x 36 cm unframed, (40 x 53.5 cm framed)
  • Klaus Rinke, Made for World Trade Center News - New York, 1975
    Klaus Rinke
    Made for World Trade Center News - New York, 1975
    Gelatin on silver print, A.P.
    40 x 30 cm, (framed 53 x 43.5 cm)
  • Klaus Rinke, Der Wasserlift - Museum Wiesbaden, 1976
    Klaus Rinke
    Der Wasserlift - Museum Wiesbaden, 1976
    Gelatin on silver print, A.P.
    100 x 70 cm
  • Klaus Rinke, Der Zorntrifft Das Globale, 2018
    Klaus Rinke
    Der Zorntrifft Das Globale, 2018
    acrylic paint on paper
    29.5 x 21 cm
  • Klaus Rinke, Zusammengekauert zum Sprung bereit, 1979-1983
    Klaus Rinke
    Zusammengekauert zum Sprung bereit, 1979-1983
    Graphite and acrylic paint on canvas
    138 x 100 cm
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